The Kennedy Grant Library at Halsway Manor by Cynthia and Bonnie Sartin

This week we are delighted to have guest bloggers Cynthia and Bonnie Sartin talking about the work that goes on behind the scenes in our Kennedy Grant Library At Halsway Manor which houses a huge collection of mixed media folk treasures – over to the Sartins…

HalswayManorLibrary (9 of 13)After 15 years of slogging away the 4,000 books and 2,000 records, CDs and tapes in the collection are catalogued, listed and key worded on the computer and accessible. We still have a couple of hundred LPs, about 100 CDs and the archives to sort but we’ll get there. Having said that we are continually receiving donations of CDs and other material from generous performers and visitors to the Manor so the work will carry on even when the final recordings from the Peter Kennedy collection have been added. We are happy to accept any folk related books etc. on the understanding that if we have copies already we will sell any extra ones to raise money for the library. Back copies of EFDSS Journals and Magazines regularly crop up in boxes left for us so we have a good supply of these for sale. By re-cycling these items the library is self-financing. Recently these funds have enabled us to purchase a new computer, a wonderful oak table to put it on and a top quality CD player.  

A lot of interest has been shown recently by people wanting to do research, which is very gratifying. At the ‘Give Voice’ weekend in October we were able to show the residents around the library stock and how to use the computer to find songs etc. This worked well and we were able to help in finding new material for people to sing.

HalswayManorLibrary (3 of 13)The library has provided material for several publications. The William Winter Tune Book and Songs & Stories of Ruth Tongue. Both were local characters; William a fine fiddle player from the 19th century and Ruth a self-styled folklorist and song writer who used to come to Halsway soon after it opened in the mid 1960s. We have also assisted authors writing books about John Short (Yankee Jack the shanty man from Watchet), Charles Marson (who helped Cecil Sharp with his song collecting in Somerset) and the tradition of the Ashen Faggot. Mary Rhodes is now Halsway’s official archivist and she and Cynthia are searching for material to include in a publication that celebrates the activities at the Manor since it opened as a Folk Centre in 1965.

HalswayManorLibrary (8 of 13)The collection covers a wide spectrum of folk-related material. Song, dance, music folklore and storytelling and tutors for many instruments as well as clog, sword and morris dancing. We have noticed that people come in and immediately panic when they see a library but it is very easy to use if you keep a cool head. There are printed catalogues for people who aren’t up to speed with computers but for those who are happy with modern technology a simplified catalogue is also available on the web at www.halswaymanor.org 

HalswayManorLibrary (4 of 13)If you would like more information on the library or would like to make an appointment to book some time in for doing some research, then please contact Viv on office@halswaymanor.org.uk

Cynthia & Bonny Sartin

From Bagpipes to Nyckelharpa – an instrumental journey

Vicki_Pipes3Our guest blogger this week is Vicky Swan who tells us of her own personal journey in learning, playing and discovering these wonderful, yet quite different instruments. Over to Vicky…

These two instruments might seem poles apart and in many respects they are, so how did I get to become a player of both? My Dad was piper and entertainments manager at a hotel up in Scotland one year, where he met a Swedish lass on holiday – the rest as they say is history. As my Dad was a piper, the pipes naturally came first. He was an excellent teacher and ran the Brentwood School of Piping, which was later to become a full-blown competition pipe band. I like to think that I got my pedagogical background from him; his mother and sister were also both teachers. I tried at many different times to take up the Highland Pipes, but they just weren’t quite right for me, so when I discovered the Scottish smallpipes I was instantly away. Unfortunately my Dad died quite early on in my piping career, but I know he’d be proud of what I’ve done. I’m sure we’d have had many discussions on style and grace notes. He would definitely be proud of the teaching work I did for my Masters degree in Education and the subsequent tutor that I wrote.

quartet1Having spent several years teaching students with no face-to-face interaction as a teacher on-line I decided to put myself back in the position of being a learner with no teacher of my own. What better instrument to choose in the UK but the nyckelharpa. Being half Swedish I had the advantage that I’ve always known about this stunning instrument and I could speak the language and was able to get hold of one. It was a major turning point in my life. I discovered that I could never really be a beginner again, I have too much ‘prior learning’ and too many ‘transferable skills’ to eve really be a beginner. Initially it was just an instrument I could sing and play with but gradually it has taken over my life.

quartet1With my Swedish connections I do as much as I can to bring instruments into the country and unite them with new owners. I have a little stash of instruments that I can let people use to see if they like the instrument. It’s not likely that anyone wouldn’t want to take it up, but it can be a big outlay for an instrument you’ve never tried. Not everyone can take the risk I took of ordering one before I’d really seen one properly live (at the Swedish Church in London as a small child doesn’t really count).
My leap of faith paid off but if it hadn’t I’d have had no difficulty in selling it on as nyckelharpas are like gold dust! Of course I haven’t forgotten about the pipes and since taking up the nyckelharpa I’ve added English borderpipes and Swedish bagpipes to my collection. It’s a lot of up keep, practicing all these different instruments but luckily I love playing and it’s really not such a hardship. The only problem is deciding what instrument to play first!

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Vicky will be running a Nyckelharpa Workshop Weekend on 1st to 3rd November at Halsway, and a Scottish smallpipes workshop weekend 29th November to 1st December.

If you would like further information please contact vicki@swan-dyer.co.uk or to book, please email office@halswaymanor.org.uk.