The Kennedy Grant Library at Halsway Manor by Cynthia and Bonnie Sartin

This week we are delighted to have guest bloggers Cynthia and Bonnie Sartin talking about the work that goes on behind the scenes in our Kennedy Grant Library At Halsway Manor which houses a huge collection of mixed media folk treasures – over to the Sartins…

HalswayManorLibrary (9 of 13)After 15 years of slogging away the 4,000 books and 2,000 records, CDs and tapes in the collection are catalogued, listed and key worded on the computer and accessible. We still have a couple of hundred LPs, about 100 CDs and the archives to sort but we’ll get there. Having said that we are continually receiving donations of CDs and other material from generous performers and visitors to the Manor so the work will carry on even when the final recordings from the Peter Kennedy collection have been added. We are happy to accept any folk related books etc. on the understanding that if we have copies already we will sell any extra ones to raise money for the library. Back copies of EFDSS Journals and Magazines regularly crop up in boxes left for us so we have a good supply of these for sale. By re-cycling these items the library is self-financing. Recently these funds have enabled us to purchase a new computer, a wonderful oak table to put it on and a top quality CD player.  

A lot of interest has been shown recently by people wanting to do research, which is very gratifying. At the ‘Give Voice’ weekend in October we were able to show the residents around the library stock and how to use the computer to find songs etc. This worked well and we were able to help in finding new material for people to sing.

HalswayManorLibrary (3 of 13)The library has provided material for several publications. The William Winter Tune Book and Songs & Stories of Ruth Tongue. Both were local characters; William a fine fiddle player from the 19th century and Ruth a self-styled folklorist and song writer who used to come to Halsway soon after it opened in the mid 1960s. We have also assisted authors writing books about John Short (Yankee Jack the shanty man from Watchet), Charles Marson (who helped Cecil Sharp with his song collecting in Somerset) and the tradition of the Ashen Faggot. Mary Rhodes is now Halsway’s official archivist and she and Cynthia are searching for material to include in a publication that celebrates the activities at the Manor since it opened as a Folk Centre in 1965.

HalswayManorLibrary (8 of 13)The collection covers a wide spectrum of folk-related material. Song, dance, music folklore and storytelling and tutors for many instruments as well as clog, sword and morris dancing. We have noticed that people come in and immediately panic when they see a library but it is very easy to use if you keep a cool head. There are printed catalogues for people who aren’t up to speed with computers but for those who are happy with modern technology a simplified catalogue is also available on the web at www.halswaymanor.org 

HalswayManorLibrary (4 of 13)If you would like more information on the library or would like to make an appointment to book some time in for doing some research, then please contact Viv on office@halswaymanor.org.uk

Cynthia & Bonny Sartin

A lovely bit of feedback!

There is nothing quite like receiving a card or a letter these days – there is still something so much more personal about handwritten notes, than an email – especially when it contains some great feedback!

We received this letter a few weeks back and the only reason for not posting (technically) it sooner, was that we wanted to write to the author to ask permission to use it… so what did we do? We sent them an email…There is just no stopping the flow of process – nor should we – but I can’t help but feel the difference between the two types of media, even if for speed it was more valid to use email. However – I digress and snail versus email is definitely a discussion for another day – either way, we were happily given permission to share so here it is…

Dear Viv,

I am enclosing the voucher for our booking for the next storytelling weekend, next year – I enjoyed the storytelling weekend so much, it was the 4th time I had come and I can’t wait for the next one. The events are very well organised and so much is fitted in, the tutors are excellent!

I am always sorry when it is time to leave, Halsway Manor is a beautiful place and all the staff make you so welcome. The meals are marvellous and I would like to thank everyone concerned for making it so special.

Best wishes

Valerie Marchant

So – there we have it! Another satisfied customer! It puts such smiles on all our faces and is so fabulous for morale when people write and tell us how much they enjoy coming to Halsway – it makes all the hard work so worthwhile. So, many thanks to Valerie for putting pen to paper and letting us share (in) her appreciation! Halsway is a wonderful place, but it wouldn’t be the same without all the wonderful people that come to visit.

Here’s to more special moments, special events and special people at Halsway Manor.

Don’t forget that if you would like to give us feedback, positive or otherwise, please do write to Paul James, CEO@halswaymanor.org.uk

From Bagpipes to Nyckelharpa – an instrumental journey

Vicki_Pipes3Our guest blogger this week is Vicky Swan who tells us of her own personal journey in learning, playing and discovering these wonderful, yet quite different instruments. Over to Vicky…

These two instruments might seem poles apart and in many respects they are, so how did I get to become a player of both? My Dad was piper and entertainments manager at a hotel up in Scotland one year, where he met a Swedish lass on holiday – the rest as they say is history. As my Dad was a piper, the pipes naturally came first. He was an excellent teacher and ran the Brentwood School of Piping, which was later to become a full-blown competition pipe band. I like to think that I got my pedagogical background from him; his mother and sister were also both teachers. I tried at many different times to take up the Highland Pipes, but they just weren’t quite right for me, so when I discovered the Scottish smallpipes I was instantly away. Unfortunately my Dad died quite early on in my piping career, but I know he’d be proud of what I’ve done. I’m sure we’d have had many discussions on style and grace notes. He would definitely be proud of the teaching work I did for my Masters degree in Education and the subsequent tutor that I wrote.

quartet1Having spent several years teaching students with no face-to-face interaction as a teacher on-line I decided to put myself back in the position of being a learner with no teacher of my own. What better instrument to choose in the UK but the nyckelharpa. Being half Swedish I had the advantage that I’ve always known about this stunning instrument and I could speak the language and was able to get hold of one. It was a major turning point in my life. I discovered that I could never really be a beginner again, I have too much ‘prior learning’ and too many ‘transferable skills’ to eve really be a beginner. Initially it was just an instrument I could sing and play with but gradually it has taken over my life.

quartet1With my Swedish connections I do as much as I can to bring instruments into the country and unite them with new owners. I have a little stash of instruments that I can let people use to see if they like the instrument. It’s not likely that anyone wouldn’t want to take it up, but it can be a big outlay for an instrument you’ve never tried. Not everyone can take the risk I took of ordering one before I’d really seen one properly live (at the Swedish Church in London as a small child doesn’t really count).
My leap of faith paid off but if it hadn’t I’d have had no difficulty in selling it on as nyckelharpas are like gold dust! Of course I haven’t forgotten about the pipes and since taking up the nyckelharpa I’ve added English borderpipes and Swedish bagpipes to my collection. It’s a lot of up keep, practicing all these different instruments but luckily I love playing and it’s really not such a hardship. The only problem is deciding what instrument to play first!

lesson

Vicky will be running a Nyckelharpa Workshop Weekend on 1st to 3rd November at Halsway, and a Scottish smallpipes workshop weekend 29th November to 1st December.

If you would like further information please contact vicki@swan-dyer.co.uk or to book, please email office@halswaymanor.org.uk.

A Playford Dance for you

English: English music publisher John Playford...

In honour of the Playford Liberation Front returning to Halsway Manor this past weekend! What an incredible weekend we had. Many thanks to everyone who came and especially to everyone who turned up and danced on Saturday night and of course to the brilliant PLF themselves! 

I am very grateful to Filip of the Marche who has typed up all of this fabulous information from The English Dancing Master 1651. Please do not print and distribute for profit… this is for information and enjoyment only.

What I love about this is that he has copied it directly, leaving all spellings and grammar the same as it was, with no corrections… this is simply the introduction – with one dance! If you would like to see more, you should go to his website. http://www.contrib.andrew.cmu.edu/~flip/contrib/dance/playford.html#Playford_81

The English Dancing Master:
OR,Plaine and easie Rules for the Dancing of Country Dances, with the Tune to each Dance.
Facsimile of original cover
LONDON
Printed by Thomas Harper, and are to be sold by John Playford, at his Shop in the Inner Temple neer the Church doore.  1651.
To the Ingenious Reader. The Art of Dancing called by the Ancient Greeks Orchestice, and Orchestis, is a commendable and rare Quality fit for yong Gentlemen, if opportunely and civilly used. And Plato, that Famous Philosopher thought it meet, that yong Ingenious Children be taught to dance. It is a quality that has been formerly honoured in the Courts of Princes, when performed by the most Noble Heroes of the Times! The Gentlemen of the Innes of Court, whose sweet and ayry Activitity has crowned their Grand Solemnities with Admiration to all Spectatores. This Art has been Anciently handled by AthenæusJulius Pollux,Cælius Rhodiginus, and others, and much commend it to be Excellent for Recreation, after more serious Studies, making the body active and strong, gracefull in deportment, and a quality very much beseeming a Gentleman. Yet all this should not have been an Incitement to me for Publication of this Worke (knowing these Times and the Nature of it do not agree,)But that there was a false and surrepticious Copy at the Printing Presse, which if it had been published, would have been a disparagement to the quality and the Professors thereof, and a hinderance to the Learner : Therefore for prevention of all which, having an Excellent Copy by me, and the assistance of a knowing Friend; I have ventured to put forth this ensuing Worke to the view, and gentle censure of all ingenious Gentlemen lovers of this Quallity ; not doubting but their goodnes will pardon what may be amisse and accept of the honest Intention of him that is a faithfull honourer of your Virtues, and                                        Your Servant to command,                                                       J. P.

Dull Sir John A square Dance for eight thus:

playford dance

playford dance txtDon’t forget that if you would like to join us, we are dancing Playford on Saturday 20th July  at 8pm. This is the saturday in the middle of the workshop, and it is open to non workshop attendees. If you would like to learn more about John Playford and the English Dance Master dances, then there are still a few spaces left – so make sure you give the office a call and see if we might be able to accommodate you.
Please visit our website for further information. http://www.halswaymanor.org.uk

In anticipation of a marvellous Playford weekend!

PLF_Jul12_another fine picWhen John Playford published the collection of tunes and dances in the Complete Dancing Master in 1651 from his shop close to St Paul’s Church in London, he would be astonished to know it would still be in print in the 21st century. Like all publishers he was trying to make money. To do so he brought together all the top tunes and dances of the time into one popular edition and hit on a winner! Although the tunes are anonymous it’s likely that popular composers of the day, such as Henry Purcell, contributed tunes for some ready cash. It sold out and there were many subsequent editions being published into the beginning of the next century, which is no surprise. Even now, in a world full of every conceivable type of music freely available 24 hours a day in every home, the book still stands out as being packed with great tunes. Tunes that are memorable, hummable, and which work  very well for dancing. There are a handful of duds but surprisingly few. When Paul Hutchinson and I came up with the idea for the Playford Liberation front in 2011, we got together with guitarist Chris Green, Clarinettist Karen Wimhurst, fiddle player Liv Dunne and bass player Wayne Lewis and played through the 1651 edition and we were all impressed by the high hit rate of great melodies.

pasted-file-2The idea of the PLF is to have some fun with the music and the dances. It’s not an original thought and many people have done it before us, but we did feel that, for a number of reasons, Playford wasn’t being taken up by younger musicians and dancers. From a musical point of view we’re keen to experiment with the music by seeing what we can do with the arrangements to make it sound fresh to modern ears. Like all great music it can handle a lot of different approaches. From the dance point of view, the PLF weekend is a great opportunity to get people who go to ceilidhs/barn dances and who don’t normally tackle Playford, to give it a a go!

For a sneak preview and a slice of playford, here is a video when the PLF played Portsmouth! Doesn’t it look fun?

The Halsway Manor Playford Liberation Weekend is 19th to 21st July 2013. For further information on this wonderful weekend of dancing please come and have a look at our website http://www.halswaymanor.org.uk/portal/alias__Halsway/lang__en/tabid__4461/eventid__328/default.aspx

Follow the PLF on Facebook too! https://www.facebook.com/playfordliberationfront

Spring Up! Halsway Manor’s local schools’ folk dance programme

Halsway May Day Hires-0824

Spring Up! is a programme of folk dance workshops delivered in local schools with the aim of giving children an opportunity to learn traditional dances, gain new skills like spatial awareness and sense of rhythm, work as a team and come up with their own creative I am setting up for my session in the school hall (newly swept to clear away the lunchtime peas from the floor) when the doors fly open and a swarm of eager young children spill into the room. You can always feel that moment of sheer joy that comes when children leave the confines of the classroom for a large empty space that invites them to move and burn off some energy! Of course, they are also keen to find out who I am and what we are going to be doing too… but, none of that – we get moving straight away!dance ideas. In summer 2013 Halsway’s Youth Dance Associate, Clare Parker, worked in Taunton primary schools taking country, folk and a little bit of street dance to over 150 children. Here she blogs about one of the sessions…

Halsway May Day Hires-1069We start with an exercise that involves using all the space available: the corners of the room, cutting through the middle, down on the floor, up in the air, making longwise, circle and square formations, working with a partner to gallop or form a right hand star. It  might look like utter chaos to anyone passing but there is a very real and serious purpose to the task  as it tunes in our awareness of the space and of each other. It is structured by the phrases of the music as we change direction or actions on musical cues; it is very inclusive and nobody need feel insecure, worried or exposed because any movement choices are OK and all importantly, it burns off some of the excess energy to bring the children to a place where they can focus.

Halsway May Day Hires-1009The exercise lasts for about 10 minutes and gives me a chance to observe the children and set up expectations for the session by reminding them to keep in their own personal space, be aware of people around them, listen to the music, listen to the instructions, using the whole of their body and their energy. It may also look nothing like folk dance but it contains the core elements and skills needed and helps children tune in to their spatial awareness, sense of rhythm, and to the sheer joy of movement. This is what the children tell me when they sit, all puffed out and very focused as a group, and I ask them what skills they have just been using.

 

Halsway May Day Hires-1080I call out “longwise formation!” and we are there in a matter of seconds, ready to start learning the Cumberland Reel. I want everyone engaged so it isn’t just the top couple but every pair (the children keep correcting my use of the word ‘couple’ which they decidedly disapprove of!) in the set that gets to do right hand and left hand star.  Then it’s the moment they love best – the chance for the top couple to gallop like crazy down the set, spurred on all the way by everyone clapping. Now, this needs a bit of work. We need to keep the energy and exuberance, but refine the movement so that it looks slightly less like a cross between Hussain Bolt and a rugby hacker! It needs quite a bit of work too to remind them to keep listening to the music and make sure they arrive back in time to cast down. Then it’s another favourite moment at the bottom making the arch and pegging it to get back to the top – to start all over again!

Once we have mastered it and each group is ready to perform for the others, I have the luxury of being able to watch the children dancing because 3 of the children take on the role of callers. They bellow instructions enthusiastically and perfectly in time with the music. They come up with their own names for movements : ‘cast’ becomes ‘banana split’, and mysteriously a “stingray!” is featured!

What is clear when watching the children dance is that they are really enjoying themselves and enjoying dancing with each other.  They perform with clarity, focus and a massive sense of energy that is infectious. Their faces show a sense of achievement and as we feedback to each other at the end of the session I am thrilled when one boy asks: ‘Can we carry on? Can we do it again?’ 

Arts and Crafts Weekend Friday 24th May 2013 – Sunday 26th May 2013

One of the things we are really excited about at the moment is the Arts and Crafts weekend that we have planned for the weekend of 24th to 26th May. It should be so much fun! We are so lucky to have been able to get all these fabulous artists in the same place at the same time, and we can’t wait to share them with you.

All levels of experience are welcome. Whether you are already an artist and want to try something new, or a complete beginner wanting to ‘have a go’! Choose from five workshop options and be inspired by the beautiful setting of Halsway Manor. You can immerse yourself in the weekend by staying at the Manor, or come along as a day-visitor, whichever suits you best. All materials are provided unless stated otherwise on the website http://www.halswaymanor.org.uk 

So, what do we have on offer? We have Printing with Jim Munniona well known, full time Somerset painter and printmaker. Felt Making with Sarah Meikle. Sarah Meikle has worked with a wide range of crafts over many years, and is an experienced teacher and creative therapist. Covering a variety of methods we will make both practical and decorative items using a wide choice of colours and wool fibers. Sculpture with Melanie Deegan who originally trained and worked as a woodcarver before the desire for a more flexible approach to sculpture led her to discover Jesmonite, a non-toxic resin that perfectly suits her requirements. Sketchbook and iPad Art with Alison Jacobs a a specialist in detailed animal studies in acrylic and, in complete contrast, is a painter of landscapes out of doors in an impressionistic, expressive style. This workshop combines her passion for the Somerset countryside with her latest obsession – inspired by David Hockney – in creating iPad art. Willow beasts with Sophie Courtiour a Somerset artist known for her large public willow sculptures including leaping deer and the beast on the Blackdown Hills, and a 7 metre reclining woman in Weston-Super-Mare!

So as you can see there is something for everyone! If you would like further information, then please don’t hesitate to give us a call or email, or just connect with us on twitter and facebook! We have a page set up for the arts and crafts weekend, as hopefully there will be all sorts of fabulous photos we can set up during and after! Arts and Crafts Facebook event